My innocent, childlike faith in the wisdom of the Internet has been ruthlessly shattered. Drag Me To Hell, which received widespread raves and a coveted 93% on Rotten Tomatoes, could not have been more disappointing. When unoccupied by grade school barf humor, director Sam Raimi spends most of his time pushing the rising-strings-followed-by-loud-noise trope to new frequencies. But while I came ready for my bowl of cinematic oatmeal, I was completely unprepared for the new lows of popular economics.
The plot of…
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